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Homes are filled with these oil lamps, candles and lights Diwali (English: / dЙЄЛ€wЙ‘ЛђliЛђ /) or Divali is from the Sanskrit dД«pДЃvali meaning row or series of lights. So, during the Festival of Lights, 'deeps', or oil lamps, are burned throughout the day and into the night to ward off darkness and evil. Light is significant in Hinduism because it signifies goodness. 5.0.Diwali is also known as the Festival of Lights.

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The Diwali riddim doesn't have the huge standout tracks that the Egyptian riddim has, but makes for a quality rhythm collection. Any of Bounty Killer's warlord bloodbaths are far easier to listen to, despite perhaps being on the negative side of the fence. When most songs are almost incomprehensible to English speakers outside of Jamaica, it is amazing how off-putting a hokey set of lyrics can be. 'Respect Yuh Wife' is one of the few tracks that proves that dancehall lyrics do matter in some minor way. It sounds very similar to Tanya Stephens' 'Can't Touch Me No More,' but has almost unbearable lyrics. 'Respect Yuh Wife' seems to be a warning to husbands to treat their wives kindly.

Their tracks all have the traits you would expect of each of the dancehall personalities. Bounty Killer, Beenie Man, Assassin, and Elephant Man don't offer more than what you would expect from the upper echelon. The usual dancehall stars follow the same pattern and cut solid tracks. and Tanya Stephens don't mess with the instrumental and end up with two of the top tracks on the album. The best tracks leave the instrumental alone and don't bother adding more samples. He sings on 'It's OK' without stripping away the rhythm and rebuilding it as R&B. Mega Banton uses the rhythm to its fullest, cutting the track that stands out from the rest on the album. Most of the tracks don't take such an extreme approach to the rhythm. Wayne Wonder's 'No Letting Go' takes the rhythm out of the dancehall and gives it a soul/R&B sound, stripping the rhythm down to just the bare beat. On many of the tracks, the supposed foreign influence is completely lost and only the straightforward beat remains. The influence seems to come more from house music than from South Asia. Unlike the Egyptian and Bollywood riddims, the Diwali riddim doesn't have an upfront Eastern sound. Unknown Language / Greensleeves Rhythm Album #27: Diwali Greensleeves Rhythm Album #27: Diwali (Gold Edition) Never Leave You (slightly altered from the original riddim), produced by DJ Tedsmooth & TrendsettaДЄlmost Famous/Greensleeves Rhythm Album #27: Diwali (Gold Edition) Higher Level / Greensleeves Rhythm Album #27: Diwali This list is incomplete you can help by expanding it. The riddim has been featured in American television commercials via Sean Paul's song 'Get Busy.' List of songs using Diwali Riddim The beat is characterized by syncopated clapping, and it was given the name Diwali for its Indian dance-music influence. It is recognized as arguably the most prominent and popular riddim of 2002 based on the number of top-ten hit songs that charted in Jamaica or internationally that used the instrumental, such as 'Get Busy,' 'No Letting Go,' 'Pon de Replay,' 'Never Leave You (Uh Oooh, Uh Oooh),' 'Overcome,' 'Elephant Message,' 'Sufferer,' 'Party Time,' and 'Love Is Wicked.' To this day, the riddim and the songs sampling it are still played on Jamaican radio stations every so often and is considered a classic. This has appeared on several international hit songs by Sean Paul, Bounty Killer, Elephant Man, Lumidee, Brick & Lace (although its single 'Love is Wicked' was not released until 2007), and Wayne Wonder. The riddim is credited to Jamaican producer Steven 'Lenky' Marsden. Greensleeves Rhythm Album #27: Diwali, also known as the Diwali Riddim, is an album and popular dancehallriddim that came to prominence in 2002. Download Wrangla Riddim Produced By Yellow Moon Records.